Baby Ford Ford Trax Download
Peter Ford, better known as Baby Ford, is a Britishelectronic musicrecord producer,[1] known particularly for his contributions to the birth of acid house. He has also released material under the aliases Cassino Classix, El Mal, Solcyc, and Simprini Risin'.
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Career[edit]
Ford is influenced by Chicago musicians such as Marshall Jefferson, Ron Trent, Armando, and Larry Heard, and was one of the founders of the acid house scene in the United Kingdom.[2] His early work was released on Rhythm King, including the club tracks 'Oochy Koochy (F.U. Baby Yeah Yeah)' (UK #58), and 'Chikki Chikki Ahh Ahh' (UK #54).[1] These two first singles appeared on the 2x12' EP 'Ford Trax' (BFORD3.)
Both appeared in remixed form on the EP, and the original singles were remixed on a variety of different formats (12' and CD) and energized the burgeoning UK acid-house scene. Sire Records in the US signed Baby Ford, as well as several other artists, on the Rhythm King label. Sire had been impressed with the label, but reportedly had concerns about how to effectively market Rhythm King artists in the US, as acid house had not broken into the US mainstream. The second albumOooh, the World of Baby Ford contained three singles, the most popular of which was 1989's 'Children of the Revolution' (UK #53).[1] It was also a club hit across the globe, as was 1990's 'Beach Bump' (UK #68).[1] The US released the 'Let's Talk It Over' EP in 1990, with exclusive live tracks. The tracks were recorded on Baby Ford's tour of the US, where he opened for Depeche Mode on several dates of their Violator tour.
The BFord9 album in 1992 revealed a different side of Ford's electronic influences. The release incorporated minimal techno with trance-like elements, long before these genres became popular later in the decade.[citation needed]CJ Bolland contributed a mix of 'In Your Blood' on BFord9 and 'Fetish' was a club hit in both the UK and the US. Several of the songs on BFord9 were re-released by Aphex Twin on his Re-Phlex label in the late 1990s in a remixed format on 'Normal EP'. Many of these remixes were recorded in 1992.
Baby Ford, Eon, and Mark Broom continued their explorations into minimal electronic music throughout the 1990s and well into the next decade through the iFach, Pal-SL and Trelik Record labels. iFach Vol. 1 contained the first five releases on the iFach label.
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Releases appeared on Sire, Source, and Insumision/Transglobal. He co-managed the labels Trelik and iFach, and worked with Trelik's Ian Loveday. His remixing work includes tracks by Stefan Robbers and S'Express.
Discography[edit]
Albums[edit]
- ((Ford Trax)) (Rhythm King, 1988, BFORD3)
- 'Ooo' The World of Baby Ford (Sire, 1989, BFORD5)
- BFord9 (Sire, 1992)
- Headphoneasyrider (Blackmarket Records, 1997, BFORD12)
- Sacred Machine (Klang Electronic, 2001)
- Basking in the Brakelights (EFA, 2003)
- Birds (Pal, 2007)
Singles and EPs[edit]
- 'Oochy Koochy (F.U. Baby Yeah Yeah)' (Rhythm King 1988) (BFORD1) - UK #58
- 'Chikki Chikki Ahh Ahh' (Rhythm King 1988) (BFORD2) - UK #54
- 'Children of the Revolution' (Rhythm King 1989) (BFORD4) - UK #53
- 'Beach Bump' (Rhythm King 1990) (BFORD6) - UK #68
- 'Change' (Rhythm King 1990) (BFORD7)
- 'In Your Blood' (Rhythm King 1992) (BFORD8)
- 'Fetish' (Rhythm King 1992) (BFORD10)
- 'Move-On' (Sire US 1992) (US-only release)
- 'Slow Hand' (PAL-SL 1) (BFORD11)
- 'Tall Storey' / 'Now and Then' (Source Records) (BFORD13)
- 'Night D3 Died EP' (PAL-SL 4) (BFORD14)
- 'Normal EP' (Rephlex 1999) (BFORD15)[1]
References[edit]
- ^ abcdeRoberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 37. ISBN1-904994-10-5.
- ^Baby Ford at Allmusic
External links[edit]
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BFORD 9 is the third studio album by English house producer Baby Ford, released in 1992 by Insumision Records in the United Kingdom and by Sire Records in the United States. Ford co-produced the album with Richard Salt. Dispirited by hardcore music and the contemporary house scene, Ford decided to create an album that explored moods and emotions, while combining elements of his acid house work. The resulting album is eclectic and explores styles of techno, funk and disco, as well as featuring Ford's soft vocals.
The record features the singles 'In Your Bloody' and 'Fetish', the latter a noisy collaboration with fellow early 1990s dance producer eON. Upon release, BFORD 9 received acclaim from contemporary music critics. Ford promoted the album with a series of gigs in the UK with eON, Colin Favor and Colin Dale. The album is known for inspiring Perlon Records co-founder Zip to create dance music.
Background and production[edit]
Baby Ford (real name Peter Ford) began his career in the late 1980s where he was a founder of the British acid house movement, taking influence from Chicago house producers like Ron Trent, Larry Heard, and Marshall Jefferson and releasing material on the label Rhythm King.[1][2] His 1988 single 'Oochy Koochy' was one of the most prominently heard tracks in UK acid house, despite the producer being unknown. Nonetheless, as Ford rose in stature, interest in his music became less pronounced.[3] Prior to BFORD 9, the producer released the albums Ford Trax in 1988 and 'Ooo' The World of Baby Ford in 1990,[4] the former of which had become popular with many disc jockeys.[1]
BFORD 9 was written and produced by Ford with co-production front Richard Salt. The record was mixed primarily by Ford and Salt at AML Studio 49, London, and later mastered at Townhouse.[5] Ford was apprehensive before creating the album because he had been releasing lots of material he felt was 'badly timed', explaining: 'I don't know whether you can really be ahead of the times or behind them, but somehow if you're not in sync it's the kiss of death.'[3] He disliked the direction that house music was taking, feeling that the 'commercial hardcore stuff' was 'all nextnextnext!'. Consequently, Ford became more interested in developing an anonymous presence.[3]
Composition[edit]
BFORD 9 is an eclectic, experimental house album,[6] containing music that is aggressive, keyboard-driven and often instrumental in nature.[2]Billboard consider the album to mark Ford's transition from acid house into techno and trance music,[2] although writer Ted Kessler considers the record to revisit the acid house of Ford's debut album Ford Trax, interjecting the genre with techno and other styles such as disco and gospel, contribution to an overall aesthetic that 'straddles the entire frame' of dance music and avoiding easy categorisation.[6] Throughout the album, beats and synths are accompanied by sound and vocal effects in addition to hooks.[2] Ford said of the album's genre: 'It's not hardcore, That's all about those old breakbeats and +8 speeds. I'm into moods and feelings, and if there's anything in there it's the acid element that makes it different.'[3] Philip Sherburne of Pitchfork described BFORD 9 as 'first-generation minimal techno.'[7]
'RU486', which opens the album with a stiff beat, reflects contemporary British electronic music in its incorporation of rumbles of bass and sirens and a treble melody line, along with a repeating hook.[8] The album continues with the noisy 'Fetish,' co-produced with Ford's fellow early-1990s dance producer eOn. It features stuttered rhythmic loops and abridged vocal samples, contributing to a 'stadium house' sound reminiscent of The KLF, whereas 'Move - On' features Ford's vocals atop synthesised strings and a sped-up funk drum loop.[8] 'In Your Blood' is a sinister acid house track,[6] featuring a more minimalist approach containing tinny percussion loops and synth squelches. The track was mixed by CJ Bolland.[8] 'Sashay Around the Sun' is reminiscent of electro funk,[2] while '20 Park Driven' is a slow funk track,[8] driven by organ and reminiscent of The Rolling Stones.[6] The album finishes with numerous remixes and alternate takes.[8]
Baby Ford Ford Trax Download Free
Release and reception[edit]
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | [8] |
| Select | [6] |
In the United Kingdom, BFORD 9 was released on 18 May 1992 by the label Insumision on CD and as a limited edition double LP.[9] In the United States, it was released in June by Sire Records.[2][10] To promote the album, 'In Your Blood' and 'Fetish' were released as singles, and in May and June, Baby Ford played live dates in the UK with eON, Colin Favor and Colin Dale.[9] In a contemporary review, Ted Kessler of Select gave BFORD 9 a perfect score, saying 'Ford successfully straddles the entire frame of dance, avoiding much of the categorisation that dogs current thinking in the techno world.' He felt that Ford's frail voice, which he wrote was 'part MC 900 Foot Jesus, part yearning adolescent alien,' ensured that the album explored 'a full spectrum of emotions'. He concluded that 'while the development of House is still in its infancy, Baby Ford is well ahead of the pack.'[6]
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Colleague Andew Harrison wrote that the album was the first to successfully combine disco, techno and 'oblique atmospherics' under the 'acid banner.' He also described 'Fetish' as a 'white noise stomperama', calling it 'easily the best Baby Ford record since 'Oochy Koochy'.'[3]Billboard felt that the album would 'add a shot of musical integrity' to the rave movement, commenting how the 'assaulting' music is 'wisely' spiced with sound and vocal effects and hooks.[2] In a retrospective review, Ned Raggett of AllMusic said that the album 'had its moments of invigorating house/techno heaven given a fine combination of dirt and sheen.' Nonetheless, he felt the album's opening tracks were its strongest, rendering it 'another in the long line of dance albums that fails to maintain its strength over its length.' He concluded that the album was 'uneven but still interesting.'[8] Sean Cooper of AllMusic called 'Fetish' a 'classic cut.'[1]
BFORD 9 is known for inspiring future Ford collaborator and Perlon Records co-founder Zip (Thomas Franzmann) to leave his band Bigod 20 and start producing dance music.[11][7] He discovered the album in a selection of promos given to the band by a Sire representative, and later told Pitchfork writer Philip Sherburne: 'I got into electronic music pretty late, actually, but when I heard BFORD 9, that changed a lot for me-I think it was mainly the combination of the groove and soul with electronic music, because what we were doing was relatively cold and industrial. It touched me very, very deeply. So much so, actually, that I could not go on being the singer in this band.'[7]
Track listing[edit]
All tracks written by Baby Ford.
- 'RU486' – 4:25
- 'Fetish' – 5:40
- 'Move - On' – 6:29
- 'In Your Blood' – 5:41
- 'Blow Back' – 4:15
- 'Sashay Around the Fuzzbox' – 5:05
- 'Intro (20, Park Drive)' – 0:49
- '20, Park Drive' – 7:44
- 'Disconoddy' – 6:05
- 'Change' (Konrad Cadet Mix 1) – 5:51
- 'Move - On' (Alt) – 5:19
- 'Fetish' (9AX) – 5:26
- 'Noddy' – 6:53
- '20, Park Drive' (Inst) – 7:40
Personnel[edit]
- Baby Ford – writing, production, mixing (tracks 1, 2, 5–14)
- Richard Salt – co-production, programming, mixing (tracks 1, 5–14)
- Kevin Metcalfe – mastering
- Stephane Sednaqui – photography
- Mike Sale – artwork
- eON – mixing (track 2), co-production (track 2)
- Kurt Rogers – mixing (track 3)
- Christian J. Bollard – mixing (track 4)
References[edit]
- ^ abcCooper, Sean. 'AllMusic Review by Sean Cooper'. AllMusic. Retrieved 6 February 2019.
- ^ abcdefgNewman, Melinda; Morris, Chris; Morris, Edward (18 July 1992). 'Album Reviews'. Billboard. 104 (29): 48. Retrieved 6 February 2019.
- ^ abcdeHarrison, Andrew (June 1992). 'Baby Ford in a '88 State'. Select: 33. Retrieved 6 February 2019.
- ^Larkin, Colin (1995). The Guinness Encyclopedia of Popular Music (1st ed.). Dublin: Guinness. p. 238. Retrieved 6 February 2019.
- ^BFORD 9 (liner). Baby Ford. Insumision. 1992.CS1 maint: others (link)
- ^ abcdefKessler, Ted (June 1992). 'Reviews'. Select: 69. Retrieved 6 February 2019.
- ^ abcSherburne, Philip (26 July 2006). 'Techno'. Pitchfork. Retrieved 6 February 2019.
- ^ abcdefgRaggett, Ned. 'AllMusic Review by Ned Raggett'. AllMusic. Retrieved 6 February 2019.
- ^ ab'Promotional advert'. Select: 72. July 1992. Retrieved 6 February 2019.
- ^'Releases'. Schwann Spectrum. 7 (1): 7. 1995. Retrieved 6 February 2019.
- ^Unicomb, Matt (10 November 2015). 'Tracks from Dimbiman, Melchior Productions Ltd. and Joy Orbison make it into the popular mix series' next instalment'. Resident Advisor. Retrieved 6 February 2019.